The Name Of A Self Is Poverty, 2016
This series was called “The Name of A Self Is Poverty” (2016), which is a line from the poet Alice Notley. The project consisted of a series of large, irregularly-shaped structures wrapped in muslin that all were in a state of leaning or relationship (to the wall or to each other). I wanted to make heavy, dependent, “poor” “bodies” which at times even echoed the shapes of the alphabet. I was inspired by many texts for this project, one of which was Maggie Nelson’s essay, “The Art of Leaning,” in which she describes a relationship of influence between artists and writers that isn’t competitive and conflictual as the Bloomian paradigm in “The Anxiety of Influence” suggests, but rather is one of sharing and generosity. I wanted to convey this sense of the subject as living a state of fragility and relationship; in being we are “inter-being,” to use a term from Thích Nhất Hạnh. Sometimes the structures were minimally painted with gesso, marked with chalk lines or stained with graphite. I also used lines from Virginia Woolf’s “On Being Ill,” and Luce Irigaray’s “The Sex That Is Not One” as titles.
That The Body Is A Sheet Of Plain Glass Through Which The Soul Looks Straight And Clear (View 1), 2016, Muslin and wood, Variable Dimensions
That The Body Is A Sheet Of Plain Glass Through Which The Soul Looks Straight And Clear (View 1), 2016, Muslin and wood, Variable Dimensions
Brought Up As She Had Been To Believe...With The Other Waifs...,2016, acrylic, chalk, muslin, rayon, wood, variable dimensions, installation view
That Moment When Things Are Not Absolutely Congealed, 2016, chalk, muslin, wood, 96" X 60" X 2.5" (overall dimensions)
That Moment When Things Are Not Absolutely Congealed, 2016, chalk, muslin, wood, 96" X 60" X 2.5" (overall dimensions)
Eyes that Recognize the Right Side, the Wrong Side, and the Other Side (View 1), 2016, gesso, muslin, wood, 96" X 96” X 2.5"(approx. dimensions/variable)
Eyes that Recognize the Right Side, the Wrong Side, and the Other Side (View 1), 2016, gesso, muslin, wood, 96" X 96” X 2.5"(approx. dimensions/variable)
To Fit In With It, As Needed, 2016 rayon and wood, 48" X 96" X 2.5"
She Lives Alone, In Her House, 2016, Graphite, muslin, wood, 48" X 96" X 4"
She Lives Alone, In Her House, 2016, Graphite, muslin, wood, 48" X 96" X 4"
And Yet You Were There, Perhaps Just For An Instant, 2016, Steel pipe and para cord, 96" X 48" X 12"